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Overview
This woodcut is closely related in style and period to Albrecht Dürer's famous Apocalypse woodcut series. The French proto-surrealist writer Alfred Jarry hugely admired the print and paid special attention to the way it moves from the formal to the hallucinatory rain of fire, seeing it as a precursor of late 19th century symbolism. His study of the print appeared in the short-lived journal Perhinderion (1895), which was effectively bankrupted by his insistence that this and other Dürer prints were reproduced full-scale on laid paper, resembling the original. The woodcut formed part of the so-called King George IV album collection of Old Master prints, purchased by the Dominion Museum in 1910.
Soruces:
Web Gallery of Art, http://www.wga.hu/html_m/d/durer/2/12/1_1500/10cather.html
'L'Yamagier', https://en.wikipedia.org/wiki/L'Ymagier
Dr Mark Stocker, Curator Historical International Art November 2016