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Overview
In these photographs, we see an activity unfold – like in the frames of a movie. The fondled object is finally revealed to be a camera.
Alexis Hunter described art works like this as ‘photographed performance’. These ‘sequences of instances’ emphasised the personal and the intimate – in contrast to the dominant, ‘objective’ perspective of male artists at the time.
Yet, as Hunter recalled, ‘this female subjectivity became the most hated aspect of our work’.