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The final act of the 6 month occupation and the end of the free coleslaw Party and Last Roxy show – Thomas is wearing an Arab Dishdash below a catholic Cassock – effectively dresses with anti-oppositional face painted half white, half black. He called in the media that the work displayed "the unification [anti-polemic] of nature with the culture of our society". There was a sense the work carried both spiritual, environmental and anti-male domination messages. The image is also significant because it the first evidence of Thomas’ use of string, rope, thread in interventionist works of art. The next was tying up Claremont grove Mt. Victoria (see CA001102/002/0001/0028) string threaded through the buildings then uniting them with tying string into a a circle and delivering residents the Claremont Grove Street Directory (August 1978) – which also made its way throughout the country’s libraries because "we wanted to get to know our city / street neighbours" according to Thomas. Interviews were conducted by Walson, Annie Taylor, Stephani Edmond, Thomas and Lipscombe and others of the Ex German Embassy at 3 Claremont grove as the group had formed to occupy the flat previously rented by friend in Red Mole. Other Thomas string works can be found on https://en.wikipedia.org/wiki/Art_intervention plus one in 1979 at the 3rd Sydney Biennale. Other components of the Phoenix burning of the cabbages that Thomas performed on 21 June 1978 involved people performing as scientists, on stage, Chris Lipscombe speaking about the sites ownership history, derek LeDays dreed as a scientist/ anthropogist, and crowd chanting – see "Party to end all parties planned for Roxy Site". The Evening Post. 15 June 1978. and "City cabbage patch gone". Evening Post. 22 June 1978.