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Overview
Adriaen van Ostade (1610-85) was a major Dutch Golden Age artist. He probably trained in Frans Hals's Haarlem workshop, where the subject matter of fellow student Adriaen Brouwer, master of delicately painted boors carousing, determined Van Ostade's own themes. In his early work, Van Ostade depicted scenes of peasants engaged in debauchery using Rembrandt's forceful
After Rembrandt, Van Ostade was the major Dutch printmaker of his day, producing 50 recorded etchings, and is well represented in Te Papa's collection. His prints were highly regarded by his contemporaries and remained enduringly popular long after his death and went through a number of editions.
In this etching, a quack doctor is selling his medicines in a tent, probably part of a village fair. He assumes an air of learning as he praises the known effects of his medication, and is fancily dressed, as befits his profession. A peasant couple and numerous children are gathered around him. The theme is a familiar one in Dutch genre painting and printmaking of the period and was addressed by Rembrandt. Van Ostade's etching is a reverse copy of his painting of the same theme, The Quacksalver (Charlatan) dated 1648, in the Rijksmuseum, Amsterdam. Te Papa's print is from the ninth state of ten. It was presented to the Colonial Museum in 1869 by Bishop Ditlev Monrad, and is part of Te Papa's foundation art collection.
See: The J. Paul Getty Museum, 'Adriaen van Ostade', http://www.getty.edu/art/collection/artists/460/adriaen-van-ostade-dutch-1610-1685/
Dr Mark Stocker Curator, Historical International Art March 2019