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Overview
Adriaen van Ostade (1610-85) was a major Dutch Golden Age artist. He probably trained in Frans Hals's Haarlem workshop, where the subject matter of fellow student Adriaen Brouwer, master of delicately painted boors carousing, determined Van Ostade's own themes. In his early work, Van Ostade depicted scenes of peasants engaged in debauchery using Rembrandt's forceful
After Rembrandt, Van Ostade was the major Dutch printmaker of his day, producing 50 recorded etchings, and is well represented in Te Papa's collection. His prints were highly regarded by his contemporaries and remained enduringly popular long after his death and went through a number of editions.
In this etching, Van Ostade's favourite cast of peasants are performing a little concert trio. The violinist in an improbably tall hat (even for the time) plays from the sheet music being held by the woman. She is possibly singing, while the merry second man to the right, holding what looks like one of several tall glasses of wine, is certainly doing so. Frequently dated to 1644, this etching is probably slightly later, as Van Ostade is now believed to have only taken up the medium from 1647. This impression is from the fourth and final state, and was donated to the Colonial Museum in 1869 by Bishop Ditlev Monrad, forming part of Te Papa's foundation art collection.
See: The J. Paul Getty Museum, 'Adriaen van Ostade', http://www.getty.edu/art/collection/artists/460/adriaen-van-ostade-dutch-1610-1685/
Dr Mark Stocker Curator, Historical International Art March 2019