The cobbler.

Adriaen van Ostade (1610-85) was a major Dutch Golden Age artist. He probably trained in Frans Hals's Haarlem workshop, where the subject matter of fellow student Adriaen Brouwer, master of delicately painted boors carousing, determined Van Ostade's own themes. In his early work, Van Ostade depicted scenes of peasants engaged in debauchery using Rembrandt's forceful chiaroscuro. Later, he portrayed calmer, more respectable people in comfortable interiors with carefully structured spaces and picturesque clutter. By then, both he and the Netherlands had become more prosperous. An extremely prolific artist, Van Ostade produced hundreds of paintings; over 800 survive. He also painted portraits and still lifes and added figures to paintings by Pieter Saenredam, Jacob van Ruisdael, and others. Van Ostade's watercolors, about half of which were made after 1670, were attempts to duplicate the effect of his oil paintings through watercolor and were in much demand. His students included his considerably younger brother Isaack and Jan Steen.  

After Rembrandt, Van Ostade was the major Dutch printmaker of his day, producing 50 recorded etchings, and is well represented in Te Papa's collection. His prints were highly regarded by his contemporaries and remained enduringly popular long after his death and went through a number of editions.

In this etching, very much a slice of 17th century Dutch life as lived by ordinary people, Van Ostade depicts a peasant smoking a pipe as he talks in relaxed fashion with cobbler who is at work, while the latter's dog is curled up on the roof of his hut. A broom is depicted to the left and a water pump to the right. A preparatory drawing for the print is in the collection of the Metropolitan Museum of Art, New York, while the National Gallery, London, has a painting once thought to be by Van Ostade but now believed to have been inspired by the print.

See: The J. Paul Getty Museum, 'Adriaen van Ostade', http://www.getty.edu/art/collection/artists/460/adriaen-van-ostade-dutch-1610-1685/

Dr Mark Stocker    Curator, Historical International Art        March 2019