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Four faceless women bend in prayer, their bodies forming a rhythmic pattern against an eerie landscape. This decorative style and focus on the female figure is what set A Lois White apart from her New Zealand contemporaries.
White was best known for her religious and political allegories. Here, she likely uses the ‘weeping women’ as a pacifist symbol for mothers mourning children killed in war – a motif also used by Picasso in the early 1930s.