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Overview
This work shows Angus’s remarkable skill as a watercolourist. Hills, hazy in the distance, are shaped with perfectly contoured washes of fluid paint. Impossibly fine lines pick out leafless winter trees, and the rise and fall of a picket fence. Angus leaves flecks of paper unpainted to form bright white highlights, dotted through a vivid green pasture.
For more detail on Angus’s visits to the Marshalls, see: Jill Trevelyan, Rita Angus: An artist’s life (Te Papa Press, 2nd edition, 2021), pp. 107-115.