Manawarangi #1

Just as the first kowhaiwhai panels were created with the best tools at hand, Taepa uses technological advances in the form of vector-based computer programs and a CNC (Computer Numeric Control) drill to make perfectly edged replicas of his works from initial drawings. His work explores the journey of knowledge that has led to the ability of producing customary kowhaiwhai art forms, though very different means. The works themselves are built up in layers of acrylic laminates. On first glance they appear to contain only two vibrant colours, one used to describe the negative and one positive space that creates the kowhaiwhai-like pattern. However, when viewed from the side, one can see that the works are built up with layer upon layer of brightly coloured acrylic. This contains another reference to the sky, which contains every colour of light, but reflects only blue. The works encourage the viewer to think about the space between things, both between negative and positive, and also ideologically. Good practitioners of kowhaiwhai can see both negative and positive space and hold both in balance as they work. Usually the viewer is conditioned to focus on positive space only. This is very apparent in a gallery setting where works on the wall are the focus of attention. The colour and shape of Taepa's works however on the white gallery wall emphasis the shapes created between the works as well as within them.