Object: Te Puhi o te tai Haruru
This image is All rights reserved.
Please follow the Buy or license link under each image to apply to use this image. (Charges may apply)
Why you need to apply for the use of this image
Rights for this work may be:
- controlled by the artist, the artist's estate, or other rights holders; or
- unclear - Te Papa will do a more detailed analysis of the work’s rights history; or
- covered by Te Papa’s Mana Taonga principle which supports the rights of holders of traditional knowledge to determine how the image may be used.
You need to make sure you don’t infringe on the rights of third parties before you use this image. Our image request process helps with this. Te Papa does not authorise the use of this image beyond the uses allowed by the “fair dealing” provisions of the New Zealand Copyright Act, 1994.
More information about copyright
We recommend these resources for more information:
- Copyright in NZ - Ministry of Economic Development
- Copyright guidelines and resource - Lianza
- Enabling use and re-use - Digital NZ
Find more information about Te Papa's rights project on our blog, including how rights types are assigned.
Get in touch
Please contact email@example.com
- if you have any information regarding this work and rights to it, or
- if you wish to contact the rights holder for this work. We will assist where we can.
|Title||Te Puhi o te tai Haruru|
Fomison, Tony (artist), 1984-85, Auckland
|Medium summary||oil on hessian on plywood|
|Materials||oil paint, burlap, plywood|
x 1815mm (Width)
Frame: 963mm (Height) x 1875mm (Width) x 55mm (Depth)
|Credit line||Purchased 2003|
Drawing on his long-standing ambition to make mural-sized 'apocalyptic' paintings of history in New Zealand, and his 'sense of a burgeoning bi-culturalism', Tony Fomison began working on Te Puhi o te tai Haruru in 1984. This oil paint on hessian on board painting is the largest of a number of paintings he made about the 'handing-on' of ancestral knowledge.
Landscape and memories
In this painting Fomison comes as close as he ever would to depicting a particular place. It is set on the Taranaki shoreline: the Puhi figure refers to the daughter of the chief, the raukura feathers to the Taranaki people of Te Whiti o Rongomai. Fomison imagined the ancestors of this place, and sought to confront his audience with this tangible, powerful past.
Drawings on rock
Te Puhi o te tai Haruru is informed by Fomison's knowledge of the landscapes of the Mäori rock drawing sites in Taranaki. He had earlier studied rock drawings in South Canterbury, and he was familiar with Theo Schoon's work on rock drawings for the Canterbury Museum. Fomison has made the point that his landscapes do not have any literal reference to the rock drawings, as a sign of respect for their cultural significance. In an article about Mäori rock art in Taranaki he wrote that 'In pre-pakeha times at least, art was too sacred for casual use . . . none but a craftsman in the service of his ancestors was free to render the sacred spiral in a more permanent form.' Although Fomison does not literally replicate the markings, he imagines their makers and, as an artist, translates their cultural meanings in a fictional mode.
Te Papa owns twenty-seven works by Tony Fomison.
Disclaimer: This information was created from historic documentation, and may not necessarily reflect the best available knowledge about the item. Some collection images are created for identification purposes only and may not be of reproduction quality. Some images are not available due to copyright restrictions. If you have information or questions about objects in the collection, contact us using our enquiry form. You can also find out more about Collections Online.