Title / object name In the beginning were the Waka
| Maker | Role | Date |
| Corneal, Paerau | potter | 1991 |
Medium Summary raku-fired earthenware, muka (flax fibre), maire ( wood), totora (native wood); slab built, fumed glaze
Materials ceramic, muka, totara, maire
| Dimensions |
| Other | 3200 (Length) x 1000 (Width/Depth) mm |
Classification sculpture, ceramics, studio ceramics, installations
Technique raku, firing
Registration Number 1996-0033-10/1-33
Credit LineCommissioned 1991, in partnership with Expo NZ 1992 Ltd and the Queen Elizabeth II Arts Council of New Zealand.
The Wakahuia series represents a seafaring vessel and a vulva - exploration, migration and treasures, knowledge contained within. The forms are essentially feminine and intend to evoke a sense of that which has endured and which is timeless. I pay homage to women and continue to be inspired by the commitment of women working in the refuge moment.
The works are formed in a two-piece plaster mould. After biscuit firing, thin layers of fumed glaze are sprayed on. The work is then fired at low temperature in a raku kiln. I use Nelson slab-clay body for its texture and its ability to withstand the thermal shock of the raku process.
Paerau Corneal
Treasure of the Underworld. James Mack and the Museum of New Zealand. Museum of New Zealand. - Wellington, N.Z. Museum of New Zealand, 1993. p19